Mamiya RB67 Profesional
- Mamiya Sekor 1:4.5, f:180mm
Mamyia 645 PRO TL
- Mamiya 645 Pro Lens Macro A 1:4 F:120mm M
- Mamiya 645 Pro Lens Sekor F:80mm 1:2.8 N
- Mamiya 645 Pro Lens Seiko A 1:3.8 F:150mm N/L
- Mamiya Sekor Reflex C 1:8, f:500mm
- MC ARSAT (Zodiak 8) 3.0/30mm FishEye
- Carl Zeiss Jena - Sonnar 180mm f:2.8
Digital & 35mm format:
35mm XPan:
Horizon S3Pro - MC ARSAT 28mm f:2.8
35mm:
Nikon F90x with MB10 & Nikon F90
Nikon D700
Nikon D300 with MB-D10
Nikon D200 with MB200
Nikon D70 with BP70
- Tokina Lens 12-24mm (f:4)
- Sigma Lens 14mm AF (f:3.5)
- Nikkor Lens 17-35mm AF-S D-ED (f:2.8)
- Nikkor Lens 18-70mm IF DX ED (f:3.5-4.5)
- Vivitar Lens 19mm (f:3.3)
- Nikkor Lens 20mm D (f:2.8)
- Nikkor Lens 28-80mm D (macro)(f:3.5-4.5)
- Nikkor Lens 50mm D (f:1.4)
- Nikkor Lens 50mm D (f:1.8)
- Nikkor Lens 80-200mm IF ED (f:2.8)
- Nikkor Lens 70-300mmED (f:4.5-5.6)
Studio and accesories:
Studio Multiblitz Walser 600W CY-K and studio accesoriers, filters and addons (Hoya & Cokin)
Favorisierte Themen:
Good pictures
Beschreibung/künstlerische Aussage
Ich bin ein Fotograf, der ausschliesslich mit Dreamstime.com arbeitet.
Who are you photography?
Why such question? Otherwise how? How could I talk to the light? I am trying to plunge into its world and bring it to the surface under the shape of letters. What an impossible mission has been assigned to me. It is as if I would rudely and constantly rummage the mystery of the infinite man. But...do you remember the shooting starts? ...well, knead infinite stars in your palm and then, as genuinely as a child, throw them back into the universe. Men and worlds will emerg...
Ich bin ein Fotograf, der ausschliesslich mit Dreamstime.com arbeitet.
Who are you photography?
Why such question? Otherwise how? How could I talk to the light? I am trying to plunge into its world and bring it to the surface under the shape of letters. What an impossible mission has been assigned to me. It is as if I would rudely and constantly rummage the mystery of the infinite man. But...do you remember the shooting starts? ...well, knead infinite stars in your palm and then, as genuinely as a child, throw them back into the universe. Men and worlds will emerge. Somewhere out there, a tiny bit of light is my world and the light within it.
Through light, all things have shape and enhance effect. Light reveals itself to me and I am surprised. I do not believe in shapes and colors. . . . I do not even know if they truly exist. I do not believe in the moral of shapes, I do not believe in the moral of lightless words, I do not believe that . . . I do not believe that light is ultimate or absolute . . . I press the shutter towards infinite worlds . . . (even my world), and they all fall mingled through the child's fingers and they settle plainly on the silverish forever. A soulful image. I close the shutter . . . darkness in the hand of the lightless child.
Wondering what all this has got to do with photography?
This is how I feel it.
This is my creed . . . ABOUT LIGHT.
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